David Creative

SketchBlog

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12th March 2013

Areas: exhibitions for sale textiles

Next Thursday night (21st March) at 7-9pm, The ReFound building opens its doors to Belfast showcasing its latest collection: ’50 Shades of Grey’; a collection of restyled one-off pieces by local artists and makers.

For this collection I up-styled 3 teak dining room chairs, which I’ve named ‘silent foxes’. The silent fox design came from my desire to compliment the natural colour of the wood with a visual that would hint towards a forest.

The RRP of each chair is £120.00 (GBP). If you are interested in buying the chairs you can either visit the Refound building –7 Wellington Place, Belfast, BT1 8GB (opening hours: thurs-sat. 10-5pm) or contact Jill O’Neill directly via email - jill@refoundonline.com or phone- +44(0)78 1134 2444.

I’ve also uploaded a post: Silent Foxes the making of where you can view the process of how I up-styled the chairs.

‘Silent fox’, dining room chairs.. © Copyright David McClelland 2013. All rights reserved‘Silent fox’, detail of dining room chair.. © Copyright David McClelland 2013. All rights reserved

12th March 2013

Areas: for sale making of textiles

As part of Refound’s most recent collection I up-styled 4 teak dining room chairs, which I named ‘silent foxes’.
The silent fox design came from my desire to compliment the natural colour of the wood with a visual that would hint towards a forest.

Below I’ve included pictures of the processes I went through to create the ‘silent fox’ chairs.

When I first received the chairs they were covered with a very dark varnish, which I felt hid the natural beauty of teak.. © Copyright David McClelland 2013. All rights reservedOnce I had stripped off the varnish I then treated the wood with beeswax to accentuate the teak’s natural grain and colour.. © Copyright David McClelland 2013. All rights reservedWith regard to the seat, I decide to create a repeating geometric pattern that would suggest a forest for my ‘silent fox’ to roam in. Each seat cover was screen printed onto cotton fabric using wax crayon and a hand cut paper stencil to define the design.. © Copyright David McClelland 2013. All rights reservedFirst colour of the ‘silent fox’ design printed.. © Copyright David McClelland 2013. All rights reservedOnce the first colour was dry a second darker colour was then added to accentuate the geometric pattern.. © Copyright David McClelland 2013. All rights reservedFinally the coat of the fox was painted in by hand and left to dry before heat-sealing the design. . © Copyright David McClelland 2013. All rights reservedFinished ‘Silent fox’, dining room chair.. © Copyright David McClelland 2013. All rights reserved

7th February 2011

Areas: textiles

I have been really busy with storyboarding jobs this week and whilst on a coffee break I came up with an idea on how to recycle old tee-shirts that had been relegated to the back of the drawer due to Italian food stains.

I thought I could simply use some dark tee shirt transfer paper (that I’d used on the Laundry project) to cover the stain playing to the strength of the transfer by make it look like a sticker.

The problem I’ve always found with this transfer paper it is very hard to ensure a crisp image as it normally breaks up due to too much heat or not enough, but in this instance the lack of a crisp image added to the design.

‘my name is David’ Tee shirt detail, see how the image breaking up on the right hand side really adds to it.. © Copyright David McClelland 2011. All rights reserved‘my name is David’ Tee shirt.. © Copyright David McClelland 2011. All rights reserved

13th January 2011

Areas: music textiles

I was recently commissioned to illustrate a new tee shirt design for the Scottish band Little Doses, based upon the Electro-Harmonix Big Muff guitar pedal.

If you want one of these you can buy either a white on red or a cyan on black tee shirt at the Little Doses store.

The design for the Little Doses tee shirt.. © Copyright David McClelland 2011. All rights reservedThe white on red tee shirt.. © Copyright David McClelland 2011. All rights reserved

8th December 2010

Areas: making of paintings textiles

I've had quite a few people ask me how I went about painting my white wolf studio shoes. Hopefully to empower you to make your own I have created the following small step-by-step of how I created the shoes.

Materials:
system 3 acrylics (ultramarine blue, cadmium red, cadmium yellow, raw sienna and titanium white), Liquitex acrylic fabric medium, acrylic ink and brushes. I wasn’t too concerned on which fabric medium to use as the shoes couldn’t be washed and therefore didn’t need to be heat-sealed.. © Copyright David McClelland 2010. All rights reservedStep 1: Priming the shoes.
Like a canvas the shoes needed to be primed with a 50:50 mix of titanium white and fabric medium to allow the paint applied later on to flow easily. Before priming I packed some paper into the shoes to make it easier to paint onto and keep their shape. Note that whilst I primed the whole shoe you only really need to prime the area(s) you intend to paint on. 
. © Copyright David McClelland 2010. All rights reservedStep 2: Under painting.
Once the shoes were dry I mixed up a nice orange using the cadmium yellow, a dash of cadmium red and raw sienna, then added an equal amount of fabric medium. 
. © Copyright David McClelland 2010. All rights reservedStep 3: Painting.
At this stage I just started to mark out the trees based on my previous painting http://blog.davidcreative.co.uk/index.php?page=1&postID=37<Autumn Orange>. Talking into account that each shoe had to work on it’s own and as a pair.
. © Copyright David McClelland 2010. All rights reservedStep 4: Painting.
When I started to get into adding detail, as there were so many colours I decided to use the fabric medium as an extra paint dipping into it when mixing each colour. 
. © Copyright David McClelland 2010. All rights reservedStep 5: Changes.
I wasn’t happy with the tree in the foreground on the right shoe so I blanked it out and moved it to the left shoe. To blank anything out I used some titanium white mixed in with the orange colour. I’ve found that the white makes the mixture a lot more opaque.
. © Copyright David McClelland 2010. All rights reservedStep 6: Additions. 
Pleased with the forest scene I decided I needed something white to stretch over the two shoes. Initially I considered a rabbit but felt an elongated wolf may work better winding its way through the trees. In this picture I’ve just laid down the basic shape of the wolf. I felt that the position of the wolf was too near the bottom and so to lift the body I twisted it round the tree.
. © Copyright David McClelland 2010. All rights reservedStep 7: Changes.
Now happy with the composition I blocked out the white using the same method as in step 5. I also noticed a ridge of excess white acrylic on the left hand side of the right shoe (this was due to not enough fabric medium being mixed in); this was removed using some light sand paper then painted again.
. © Copyright David McClelland 2010. All rights reservedStep 8: Last additions.
Happy with the shape of the wolf I added legs and added texture to the area blanked out in step 5.
. © Copyright David McClelland 2010. All rights reservedStep 9: Final shoes.
The detail was added using black acrylic ink and a fine watercolour brush.
. © Copyright David McClelland 2010. All rights reserved

3rd December 2010

Areas: paintings textiles

This personal project grew out of a desire to have a pair of light slip on shoes to wear in my studio.

Encouraged by the vibrant colour in a recent painting of mine autumn orange I thought the same painting would work well as a design on a pair of white canvas pumps with the addition of a white wolf sneaking around the trees.

Final "white wolf" studio shoes. © Copyright David McClelland 2010. All rights reserved"White wolf" studio shoes detail. © Copyright David McClelland 2010. All rights reserved"White wolf" studio shoes detail. © Copyright David McClelland 2010. All rights reserved

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